Warm Audio Reamper – All-Analog Guitar Reamp & Studio Signal Conversion Device with Independent Preamp

OVERVIEW

The Warm Audio Reamper takes conventional re-amping considerably further, functioning as a comprehensive analogue routing hub for modern recording environments. It allows dry guitar and bass tracks to be sent from a DAW through real tube amplifiers, while also providing the flexibility to integrate guitar pedals into line-level studio chains or route studio processors into guitar, bass and synthesizer signal paths. Fully independent preamp and re-amp paths, custom CineMag input and output transformers and separate gain controls provide precise control over signal flow and gain staging, while the variable impedance control lets the unit accommodate a wide range of instruments and sources.

The instrument preamp can be switched between a discrete JFET stage for a warmer, more vintage character and an Op-Amp setting when a cleaner response is preferred. The Reamper also provides separate Preamp Out, Reamp Out and Instrument Out routing, allowing engineers to capture multiple signal paths simultaneously or retain a dry “bail-out” signal for later processing. Its flexible connectivity makes it possible to move effortlessly between DAW tracks, instruments, pedals, amplifiers and outboard studio equipment without repeatedly rebuilding the signal chain.

For tube-amplifier recording, the Reamper incorporates a built-in 50W/8 Ω resistive power soak that allows compatible tube amps to be recorded silently without a speaker cabinet. When using the silent-recording function, an impulse response can be applied in the DAW to recreate an accurate cabinet and “amp in the room” character. When the THRU connection is connected to a speaker cabinet, the amplifier can instead be routed to the cabinet without the Reamper imposing power or impedance limits in that configuration.

KEY HIGHLIGHTS

Complete Analogue Reamping & Studio Routing Hub

The Reamper combines re-amping, instrument preamplification, effects integration and amplifier routing in a single analogue device, allowing guitars, pedals, amplifiers, synthesizers, DAWs and studio processors to work together in configurations that would otherwise require considerably more equipment.

Independent Preamp & Re-Amp Signal Paths

Separate preamp and re-amp paths provide greater control over gain staging and routing. Dedicated output controls allow the engineer to establish appropriate levels for both studio equipment and amplifier inputs independently.

CineMag Transformer-Coupled Signal Paths

Custom CineMag input and output transformers are incorporated into the signal paths, helping preserve source character while providing the appropriate signal conversion for different studio, instrument and amplifier environments.

Variable Instrument Input Impedance

A continuously variable 120 kΩ–1 MΩ input impedance control allows the Reamper to be matched to different instruments and pickups, providing greater control over response and helping avoid unwanted noise or tonal loading.

Switchable JFET & Op-Amp Preamp Character

The instrument preamp can be switched between a discrete JFET stage for warmer, more vintage-inspired character and an Op-Amp setting for a cleaner gain response, giving engineers two distinct approaches to shaping the direct signal.

Built-In 50W/8 Ω Silent Power Soak

The integrated resistive load allows compatible tube amplifiers rated up to 50W at 8 Ω to be recorded silently without a speaker cabinet, making it possible to capture cranked tube-amp tones at practical studio levels.

Parallel & “Dry Bail-Out” Recording

The flexible routing architecture allows a processed amplifier signal and a dry signal to be captured simultaneously, providing the freedom to revisit amp, pedal and processing choices during mixing rather than committing to a single sound during tracking.

Guitar, Pedal, Synth & Line-Level Integration

The Reamper is not limited to guitars. It can integrate guitar pedals into studio line-level chains, studio processors into instrument paths, and synthesizers or other line-level sources into creative effects configurations.

Ground-Lift & Phase Controls

Ground-lift functionality helps address hum and buzz caused by ground loops, while phase/polarity controls provide additional flexibility when combining multiple signal paths or microphones and amplifiers.

FEATURES

• All-analog studio signal conversion and creative routing
• Dedicated re-amping functionality for dry DAW guitar and bass tracks
• Fully independent preamp and re-amp signal paths
• Custom CineMag input and output transformers
• Variable instrument input impedance from 120 kΩ to 1 MΩ
• Discrete JFET preamp stage for warmer, vintage-inspired character
• Op-Amp preamp setting for a cleaner gain response
• Separate Preamp Out and Reamp Out gain controls
• Dedicated Instrument Out
• Instrument Thru for sending an unbuffered direct signal to an amplifier or pedal chain
• Built-in 50W/8 Ω resistive power soak for silent tube-amp recording
• Amp In and Amp Thru connections
• Line-level XLR and ¼-inch connectivity
• Instrument-level ¼-inch connectivity
• Compatible with passive and active instruments
• Suitable for guitars, basses, keyboards, synthesizers and pedals
• Integrates studio processors into instrument signal chains
• Integrates guitar effects pedals into line-level studio chains
• Enables parallel amp and dry-signal recording
• Supports daisy-chain amplifier recording configurations
• Phase/polarity inversion for signal-alignment applications
• Ground-lift functionality for reducing ground-loop hum and buzz
• Internal universal power supply
• Rugged, professional studio construction
• Desktop-format design
• 5-year warranty

TECHNICAL SPECS

Product & External Specs

Type: All-Analog Studio Signal Conversion Device & Creative Reamping/Routing Hub

Applications: Guitar Reamping, Silent Tube-Amp Recording, Effects Processing, Studio Signal Routing, Parallel Recording & Daisy-Chain Amplifier Recording

Instrument Compatibility: Guitars, Bass, Keyboards, Synthesizers, Pedals & Other Instrument-Level Sources

Instrument Input: ¼-inch Jack

Instrument THRU: ¼-inch Jack – Unbuffered direct instrument signal

Instrument Output: ¼-inch Jack

Line Input: Balanced XLR & ¼-inch Jack

Line Output: Balanced XLR & ¼-inch Jack

Amp Input: ¼-inch Jack – Speaker-level amplifier input for the power-soak section

Amp THRU: ¼-inch Jack – Routes amplifier output to a speaker cabinet

Preamp Out: Dedicated gain control for the preamp line output

Reamp Out: Dedicated gain control for the re-amp output, providing attenuation through to gain

Instrument Input Impedance: Variable 120 kΩ–1 MΩ

Maximum Instrument Input Level: +18 dBu (6 VRMS)

Phase: Phase/polarity inversion for instrument and line-level signal paths

Ground Lift: Ground/Lift switch for reducing ground-loop hum and buzz

Chassis Format: Desktop

Dimensions: Approx. 29.7 × 16.3 × 10.7 cm (11.7 × 6.4 × 4.2″)

Weight: Approx. 1.65 kg (3.6 lb)

Warranty: 5-year warranty

Power Soak & Silent Recording

Power Soak: Built-in 8 Ω resistive load rated at 50W maximum for silent tube-amp recording.

Silent Recording: Allows compatible tube amplifiers up to 50W at 8 Ω to be recorded without connecting a speaker cabinet, using the built-in power soak.

THRU / Speaker Cabinet: When THRU is connected to a speaker cabinet, the amplifier signal is passed to the cabinet, with no power or impedance limits imposed by the Reamper in this configuration.

Higher-Powered Amplifiers: For amplifiers exceeding the 50W silent-recording limit, an appropriate speaker load must be connected via THRU when using the AMP-IN feature.

Bridged Amplifiers: Do not connect bridged amplifiers to the Reamper.

Cabinet Simulation: The Reamper does not provide cabinet simulation; for silent recording, use an Impulse Response (IR) in the DAW to recreate an accurate “amp in the room” response.

Controls & Switching

Input Selection: Amp / Instrument

Instrument Preamp Character: Selectable JFET / Op-Amp

Instrument Phase: Phase inversion

Line/Instrument Selection: Selectable input routing

Impedance: Continuously variable 120 kΩ–1 MΩ

Preamp Out: Independent output-level control

Reamp Out: Independent output-level control

Ground Lift: Lift / Ground

Line Phase: Phase inversion

Components & Internal Specs

Signal Architecture: Fully Active Analogue Circuitry with Independent Preamp & Re-Amp Signal Paths

Transformers: Custom CineMag USA Input & Output Transformers on Each Signal Path

Instrument Preamp: Switchable Discrete JFET / Op-Amp Stage

Power Supply: Internal Universal AC Power Supply

Operating Voltage: 90–240V AC, 50–60 Hz

Power Soak: Internal 8 Ω / 50W Maximum Resistive Load

Performance Specs

Maximum Instrument Input Level: +18 dBu (6 VRMS)

Instrument Input Impedance: 120 kΩ–1 MΩ Variable

Re-Amp Output Level: Stepless Attenuation Through to Gain

Silent Recording Load: 8 Ω / 50W Maximum

Line Output: True Balanced Line Level via XLR & ¼-inch Connections

Channels: 2 Signal Paths / Routing Channels

Circuitry: Ultra-Low-Noise Active Analogue Design

Phantom Power: Not Required

Speaker Simulation: None – use an external Impulse Response (IR) in the DAW for silent-recording cabinet/room simulation

Dummy Load: Yes – 8 Ω / 50W maximum

SETTINGS

DOWNLOADS & SUPPORT

User Manual

Product Registration