• I used the EQ-P1 and EQ-H1 extensively in mixing scenarios, and they performed like champs. I was able to dial in silky top-end on vocals and acoustic guitars and beefy lows on kick drums and mic'd bass cabinets with truly 'pro' results. There were many times when i hit upon a certain setting and found it was 'that sound' I had heard for years on 'that famous record' that didn't seem possible to get with 'other gear'. These EQs are so perfectly geared to music that - even with extreme settings - it's hard to get bad results with them.

    Pete Weiss, TapeOp Magazine

    The Mercury EQ-H1, EQ-P1, EQ-H2 and EQ-P2 are all based on the original Pultec equalizers which were tools developed to deal with the limitations of recorded music. Limitations that most often manifest themselves in the highest and lowest frequencies of the program material. The Mercury Studio Program Equalizers, like the family of original Pultec EQs, are originally designed to bring back the life and musicality lost in a recording. Whether by accident or genius, nothing has been able to do this better in music production than a passive equalizer with tube gain make up amplifier (‘Pultec style’) equalizer. The interaction of the passive boosting and attenuating shelving EQs (not relying on negative feedback), as well as the transformers, tubes and other amplification circuitry all add to the incredibly musical character of the product. Working engineers try other types of equalizers, but always end up coming back to the Pultec style as the equalizer of choice for those final touches while tracking or mixing and even mastering at times.

  • I used the EQ-P1 and EQ-H1 extensively in mixing scenarios, and they performed like champs. I was able to dial in silky top-end on vocals and acoustic guitars and beefy lows on kick drums and mic'd bass cabinets with truly 'pro' results. There were many times when i hit upon a certain setting and found it was 'that sound' I had heard for years on 'that famous record' that didn't seem possible to get with 'other gear'. These EQs are so perfectly geared to music that - even with extreme settings - it's hard to get bad results with them.

    Pete Weiss, TapeOp Magazine

    The Mercury EQ-H1, EQ-P1, EQ-H2 and EQ-P2 are all based on the original Pultec equalizers which were tools developed to deal with the limitations of recorded music. Limitations that most often manifest themselves in the highest and lowest frequencies of the program material. The Mercury Studio Program Equalizers, like the family of original Pultec EQs, are originally designed to bring back the life and musicality lost in a recording. Whether by accident or genius, nothing has been able to do this better in music production than a passive equalizer with tube gain make up amplifier (‘Pultec style’) equalizer. The interaction of the passive boosting and attenuating shelving EQs (not relying on negative feedback), as well as the transformers, tubes and other amplification circuitry all add to the incredibly musical character of the product. Working engineers try other types of equalizers, but always end up coming back to the Pultec style as the equalizer of choice for those final touches while tracking or mixing and even mastering at times.

  • The Mercury EQ-H1 features a passive EQ circuit with a single ended gain make up amplifier topology, based on the vintage ‘Pultec EQH’ circuit. The Mercury EQ-H1 circuit provides a musically satisfying result unobtainable with active and parametric EQs, since it does not rely upon negative feedback (and all its associated phase and dynamic distortions) to achieve equalization. The EQ-H1, like all Mercury products, has transformer balanced (XLR) input and outputs. The only modern additions or changes to the original are a much more powerful and stable power supply and running DC on the heaters, rather than AC, and two additional frequencies to expand the range and make it more flexible.
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    Manley designed the Core reference channel strip so that you can hit record and focus on your performance, not your signal chain. It sports the quality, performance, and flexibility their VOXBOX is known for, at a price that makes it accessible to any serious artist or engineer. You get a world-class Manley mic pre, followed by a 3:1 ELOP style compressor for effortless dynamic control.
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